Bafici
Program
Venues and Tickets
An old champion bull goes on to its last journey from the humid pampas to its last destination: the slaughterhouse. On its trip through the planes, its thoughts remind us of the strangest stories about Argentine beef and the influence it has on us.
After the death of his father, Eduardo Crespo decides to travel in order to make the film he had planned to do with him about the city of Crespo, poultry farming, and the relationship between them. The camera goes through the same places, through collective and personal memory.
Pablo spends autumn among second-hand books, illegal cell phones, parties, cocaine, and wrong calls. His ex-girlfriend, Mariana, enjoys the winter while splitting her days between college exams, dealers of hard drugs, random meetings with couples she is friend’s with, and a new boyfriend.
A small film crew moves through Asturias in search of the places where the main ambushes against the Republican Guerrilla (1937-1952) took place. In that trip, they meet several people willing to share with them their memories of that time.
In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
Alex is a filmmaker living in Brooklyn. One of his animated shorts went viral and now he’s trying to prove that he can do more than funny videos. While doing so, he travels to Argentina to meet Sofia, with whom he started a virtual relationship.
The disappearance of Juan is an excuse to tell the story of each member of a group of friends. With a slight, everyday comedic tone, this drama tries to reflect the collective unconscious of a generation youngsters from the city of Puerto Madryn.
A vertiginous, infinite and unique walk through every nighttime setback. Sex, drugs and drinking alternate between encounter and encounter, creating a above-board follow-on in front of a camera as curious as it is audacious, that dares to cover everything.
Melisa and her friends debate on what means to be a woman. But these stories contrast to the director and protagonist’s, reconstructed from the personal archive footage that distort the genre’s mandates and prohibitions with humor.