I don’t think I can say anything too significant about Inscriptions. I don’t understand much myself. I know the film comes from somewhere unknown, that it comes from “outside,” that it’s an inspiration. This happens to me with all the films I make as I have no predetermined concepts; they appear the way they can. I know it’s a film that tries to say something about the birth of language, text, words. It describes text as image and sense. And it tries to address the need –inherent in mankind–to construct meaning in the face of existential invisibility. NH