Ciudad Autónoma de Buenos Aires
Agenda Cultural - Buenos Aires
Festivales de Buenos Aires

Bella e perduta

Jueves 14 a las 22:45 h Tickets sold out - Village Caballito Room:8
Sábado 16 a las 19:30 h Tickets sold out - Village Caballito Room:8
Sábado 23 a las 14:30 h Tickets sold out - Village Recoleta Room:2
Domingo 24 a las 13:00 h Tickets sold out - Village Recoleta Room:2

Sections:
Panorama / Places



Functions

A servant embarks on a journey that takes him from Mount Vesuvius to the actual Campania to honor the last wishes of pastor Tommaso. His mission is to save a young buffalo in the ancient royal palace of Carditelo.


Lost and Beautiful begins with a POV shot with an estranged visual texture. The shot shows a beautiful buffalo. Later, a mid-range shot on a painting that features masked people echoes a typical 18th century stage play. Who are these men? One of the characters is called Pulcinella, and it’s related to the commedia dell’arte. In a ministry with no name, an enigmatic permission is requested: to give the buffalo called Sarchiapone the gift of speech. There’s a third fundamental character: Tomasso Cestrone, a man who once decided to take care of an abandoned palace, a synonym of a splendorous time in Italy that is now a buried memory. These symbolic elements are at stake and working as an allegory of the Original sin, while also articulating a discreet and aimless rage against the indifference of the powerful in contemporary Italy. RK

Other title/s: Lost and Beautiful / Bella y perdida
Year: 2015
Format: DCP
Color: B&N + Color
Minutes: 87
Country:

Team:

D: Pietro Marcello G: Maurizio Braucci, Pietro Marcello 
F: Pietro Marcello, Salvatore Landi E: Sara Fgaier S: Riccardo Spagnol CP: Avventurosa I: Sergio Vitolo, Gesuino Pittalis, Tommaso Cestrone



Contact:

The Match Factory. Sergi Steegmann
E sergi.steegmann@matchfactory.de 
W the-match-factory.com

Saturday 23 - 14:30 h
Village Recoleta Room: 2

Sunday 24 - 13:00 h
Village Recoleta Room: 2

Pietro Marcello

He was born in Italy in 1976, and debuted behind the cameras with the short films Carta and Scampia, in 2003. He also directed La bocca del lupo (2009; Bafici ‘10).




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