Ciudad Autónoma de Buenos Aires
Agenda Cultural - Buenos Aires
Festivales de Buenos Aires

Boi Neon

Domingo 17 a las 22:30 h Tickets sold out - Village Recoleta Room:8
Lunes 18 a las 15:50 h Tickets sold out - Village Recoleta Room:8
Martes 19 a las 15:30 h Tickets sold out - Village Recoleta Room:8

Sections:
Competition / Avant-Garde & Genre Competition



Iremar works in the vaquejadas, the traditional rodeo of northwest Brazil. But the country is changing, and the flourishing textile industry sprouts new ambitions in him, as he starts dreaming of fashion design. 


Located in Northeast Brazil, this film –awarded in the last Venice film festival– focuses on the world of vaquejadas, a traditional custom where two cowboys on horseback must take down a bull by grabbing its tale. You could draw a parallel between the film’s main character and the director. On one side, you have the protagonist making –in a passionate and thorough manner, without us knowing why– a dance suit that will shine in the end. On the other, Gabriel Mascaro builds the plot of his film with precision and sharpness, and turns his eye towards the characters’ everyday actions and the unique nature of their rural context, confident that they will lead us to a dazzling outcome. VB


Other title/s: Neon Bull / Toro Neón
Year: 2015
Format: DCP
Color: Color
Minutes: 104
Country:

Team:

D, G: G. Mascaro F: D. García E: F. Epstein, E. Serrano
DA: M.Mesquita S: F. Oliver M: Otávio Santos, Cláudio N, 
Carlos Montenegro P: Rachel Ellis PE: R. Ellis,S. Saravia, M. Slot 
CP: DESVIA, Canal Brasil, Malbicho Cine, Viking Films I: J. Cazarré, 
A. Santana, C. Pessoa, M. Jinkings, V. de Oliveira



Contact:

Artscope. Sata Cissokho
T +33 1 5334 9020 E sata@memento-films.com 
W memento-films.com ~ boineon.com.br

Gabriel Mascaro

He was born in Brazil in 1983, and graduated in social communication at the Federal University of Pernambuco. He directed the documentary features KFZ-1348 (2008), High-Rise (2009), both screened in Bafici ‘09, and Doméstica (Bafici '13).




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