The setting of post-industrial Asturias is also an emotional desert in which a pre-retired miner with a gambling problem is constantly avoiding creditors. Chased by a ruthless police officer, he will be forced to run a sinister errand that will change his life.
On Silent Mode features a choral storyline based on its characters’ cellphone conversations, with ellipsis between every call that create a fragmented, mosaic-like narration where the lack of information reveals progressively clear sings that we’re watching a thriller. The director finds a new cinematographic form, a kind of contemporary reinterpretation of the epistolary novel, and then the second half of the film abandons that thorough initial device, and the plot starts again and fills out significant moments. Nightfall and a highly contrasting black and white cinematography seal the terrible fate the characters (and the viewer) didn’t foresee in the first part. DM
D, G, P, PE: Teresa Marcos F: José Valle E: Teresa Marcos, José Valle DA: Susana de Dios S: Antonio de Benito M: Raquel Rodríguez, Nacho Vegas, Enrique Morente CP: De Souna Producciones SL I: Suso Martínez, Francisco Jambrina Mayo, Carmen Gloria García, Olga Montero, Miguelo García
De Souna Producciones SL. Teresa Marcos T +34 684 611 426 E teresamarcosblanco@gmail.com W desouna.com
She studied information sciences at the Autonomous University of Barcelona, film and TV production in Sussex, and completed her training at the Lighthouse Film and Video studio in Brighton. Se paga el acto (1994), Bargain Lingerie (1999), El simulador (2009) y Módulo 10 (2010) are some of her works.