Some of his colleagues finished the enterprise Coutinho took on before his death, in which he attempted to understand teenagers today. What they think, what they want, and how they live are only some of the paths taken in the conversations he engaged in with Brazilian students.
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A father and his son find themselves surrounded by a landscape that takes them away from everyday life. A kite getting stuck on a tree is just the trigger for an explosive amount of narrated adventures that, in the end, stand as a family love story.
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Marco is part of a group of skinheads who spend their days beating up blacks, Arabs and Jews. Until Marco decides to go on another path while those around him stay the same.
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Jorge lives with Sofía in the middle of the woods. Sofía hides a secret that will lead Jorge to make a very important decision.
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Two scoundrels wander through the strange city, without a family or a home, making a living and fantasizing about a stroke of luck.
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In 2011, Brookner started a project whose goal was to find and restore the films and archive footage of his late uncle –his earliest cinematic influence–, director Howard Brookner. This is his tribute to him, through the access to a treasure made of home movies and family photos.
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Two lovers reunite one knight at the entrance of a wake and start walking together. The walk will oscillate through different spaces until night turns into day.
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In a 25 years-old home video, a kid insistently asks his dad if he can play with the camera. Once an adult, he returns to that place to reflect on how all those years that passed have affected a place where time seems to have come to a halt. The cycle of life as seen by its protagonist and spectator.
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An accident turns Guillermo, Bárbara’s partner, into a stranger due to some neurological consequences. While she struggles with her own pain, she gets involved with a man who offers her some stability, but the memory of lost love haunts her.
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An old photograph works as the starting point of this exploration. The image dates from the late-19th Century, and through it, the Austrian filmmaker transports as to the epicenter of cinematic nature.
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Almost fifteen years after I Don’t Know What Your Eyes Have Done to Me, one of its directors reunites with the lost footage of their first encounter with Ada Falcón. A “silent scenes” triggers his search in order to decipher the enigma of the absent voice, in an emotional journey where film becomes a path to retrace time.
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