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I don’t think I can say anything too significant about Inscriptions. I don’t understand much myself. I know the film comes from somewhere unknown, that it comes from “outside,” that it’s an inspiration. This happens to me with all the films I make as I have no predetermined concepts; they appear the way they can. I know it’s a film that tries to say something about the birth of language, text, words. It describes text as image and sense. And it tries to address the need –inherent in mankind– to construct meaning in the face of existential invisibility. NH


Other title/s: Inscriptions
Year: 2015
Format: DM
Color: B&N + Color
Minutes: 19
Country:

Team:

D, G, P: Narcisa Hirsch F: Narcisa Hirsch, Clara Frías, Daniela Muttis E: Clara Frías S, M: Nicolás Diab CP: La Medina




Contact:

La Medina. Narcisa Hirsch
T +54 9 11 5021 1372
E danielamuttis@gmail.com

Narcisa Hirsch

She was born in Berlin, Germany, in 1928, but has lived in Argentina since she was very little. She is one of the main experimental filmmakers in this country. In 2012, Bafici did a focus where many of her shorts were shown, as well as the feature El mito de Narciso (2011).



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