Street address: Vicente López y Junín
Rooms: 1,2,3,4,5,6,7,8,9,10
Buses: 10, 41, 59, 60, 67, 92, 93, 95, 110, 118.
Show events How to get
Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 3
The day begins and the light shakes the shadows hanging from Eduardo Stupía’s studio. Miguel Baratta’s camera doesn’t show a creative genius, but a craftsman who patiently models his material. When observing the layout of a collage, Intemperie seems to adhere to the thesis t...
ViewSection: Panorama
Village Recoleta - Vicente López y Junín
Room: 2
Section: Music
Village Recoleta - Vicente López y Junín
Room: 6
Seymour Bernstein started playing the piano as a little boy, and by the time he turned 15 he was teaching it to others. He enjoyed a long and illustrious career of concertizing before he gave it up to devote himself to helping others develop their own gifts. Ethan Hawke’s lovely film is a warm...
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Section: Opening Night
Village Recoleta - Vicente López y Junín
Room: 5
I only shot one film Buenos Aires: that first feature-length film, Invasion, which I wrote with Jorge Luis Borges. 43 years later, I suddenly felt a clear need to plunge immediately into my city and film it again, with a passion. So, I wrote with Mariano Llinás… a fable? a Sufi tale?,...
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Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 8
A comic strip as harmless as Archie is easy to mock, even if its middle tone humor, between the absurd and the commonplace, was, to many, a bridge between the puerile and the adult. It’s harder to understand why it was such a huge hit in the US. Gerald Peary is a film critic, a documentarian,...
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Section: Little Bafici
Village Recoleta - Vicente López y Junín
Room: 1
It’s quite possible that neither Dante, nor Hades, nor Orpheus, are connected at all with the life of a bunny family. But since there must be some explanation about their lives, Esben Toft Jacobsen manages to inquire about the vital transit of these sweet animals that have long ears and eyes f...
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Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 7
Ever since the late Sixties, Narcisa Hirsch elaborated a body of work in Argentina with a wide aesthetic, conceptual, and cinematic range, which very few experimental filmmakers were able to match. She did so at times stretching the relation between the visual and the verbal, at times like a landsca...
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Section: Little Bafici
Village Recoleta - Vicente López y Junín
Room: 10
Section: José Val del Omar
Village Recoleta - Vicente López y Junín
Room: 4
A free approach to the missing link with which the filmmaker from Granada expected to end his work, made up by what he would describe as lyrical documentaries, cinegraphies or elementaries. The elementary is a categorically poetic declination of documentary film. After the elementaries on water, fir...
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Section: Proyecciones Especiales
Village Recoleta - Vicente López y Junín
Room: 3
Tickets must be picked up the same day at Bafici’s Information Stand located in Village Recoleta, fr
Dos disparosSection: Panorama
Village Recoleta - Vicente López y Junín
Room: 2
With his documentary Food Inc. (Bafici, 2009), Robert Kenner had exposed the US food industry and its pleats in an abrasive, thorough, intelligent, terrifying and informed manner. Now, he repeats the operation: he takes a non-fiction book (Merchants of Doubt: How a Handful of Scientists Obscured the...
ViewSection: Pascale Ferran
Village Recoleta - Vicente López y Junín
Room: 9
Pascale Ferran’s latest film to date begins with a story of alienation starred by two possible extremes of “consumer aesthetics:” on one side, a Silicon Valley executive who was on his way to Dubai but ends up in Paris, where he decides to cut off (via Skype!) with his job, his fam...
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