Street address: Vicente López y Junín
Rooms: 1,2,3,4,5,6,7,8,9,10
Buses: 10, 41, 59, 60, 67, 92, 93, 95, 110, 118.
Show events How to getSection: Panorama
Village Recoleta - Vicente López y Junín
Room: 4
If documentary is an endless genre is not just because it can take any element in the world (a person, a city, or an object) and turn it into its subject, but rather because of the endless ways it can portray and question that element. In the case of Mudmen, the eye is on an old man who lives in Rio...
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Village Recoleta - Vicente López y Junín
Room: 9
In Camille Claudel, Bruno Dumont placed a tired-faced Juliette Binoche at the center of the frame. The French filmmaker seems to have switched thirds with P’tit Quinquin, a made-for-TV comedy set in a rural town. His last feature starts like a by-the-book crime story: with a strange murder in...
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Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 2
There’s an essential difference between Fifteen Days at the Beach, Flavia de la Fuente’s previous film, and The Walk. While the first one’s matter is the natural beauty of the ocean, the second one seeks beauty where apparently there is none. And, even better, it finds it. In both...
ViewSections: Panorama Competencia DDHH
Village Recoleta - Vicente López y Junín
Room: 1
This is a documentary about cartoon artists spoken in the first person by the artists themselves. The list is impressive: from Le Monde’s cartoonist Plantu to Damien Glez from Burkina Faso, the film features professionals of cartoon art in their different work environments, mostly dangerous ar...
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Village Recoleta - Vicente López y Junín
Room: 3
Toponymy is the discipline that studies the etymological origin of place names. What Perel chooses to analyze visually in his film is a series of towns located in the western portion of the province of Tucumán, which were founded by the military government during the mid-70s within the framew...
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Village Recoleta - Vicente López y Junín
Room: 2
The economic crisis in Spain and its impact on young people is the center of this film about a couple that tries to survive in Madrid with almost no money. Natalia lives with her divorced mother and her younger siblings, and there doesn’t seem to be much more to life than seeing her boyfriend,...
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Section: Opening Night
Village Recoleta - Vicente López y Junín
Room: 5
I only shot one film Buenos Aires: that first feature-length film, Invasion, which I wrote with Jorge Luis Borges. 43 years later, I suddenly felt a clear need to plunge immediately into my city and film it again, with a passion. So, I wrote with Mariano Llinás… a fable? a Sufi tale?,...
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Village Recoleta - Vicente López y Junín
Room: 6
In a run-down bar in Southern Italy, locals gather every day to play “padrone e sotto,” a game of cards and drinks. While the beer gets as warm as the spirit of these peasants, nurses, mechanics, and hunters, Cirigliano remembers the fascination and terror that mysterious hobby and its i...
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Village Recoleta - Vicente López y Junín
Room: 1
There’s no greater tribute to a specter lover than to be converted into a venerable ghost. But this spectral account of the life of a man who was a Portuguese version of Henri Langlois –also a Renaissance man: poet, professor, theorist, director of the Portuguese Cinematheque, and actor...
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Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 9
Young Italian director Alice Rohrwacher’s second film after the appreciable Corpo celeste (2011) confirms her meteoric growth as a filmmaker. In this case, such growth doesn’t imply a visual style constrained by rigid characteristics; on the contrary, it is based on her ability to remain...
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