Ciudad Autónoma de Buenos Aires
Ciudad Autónoma de Buenos Aires

Under Electric Clouds

Saturday 25 a las 13:15 h

Panorama

Village Recoleta - Vicente López y Junín
Room: 9

Tickets sold out Functions

Russia, 2017, one hundred years after the Revolution. Through interlocking stories, with the common denominator of a building erected as a symbol of the wreckage, Aleksei German Jr. puts his signature in a film as demanding as it is fascinating. Displaying a majestic visual power (justly awarded at the last Berlinale), the camera slides between the material and cultural ruins of Russia/the USSR/the world, scrutinized by means of an unbelieving perspective and an entirely free narrative structure that can make one think of the happy heterodoxy that bonds such filmmakers as Berlanga, Angelopoulos, Buñuel or Iosseliani. As in many films by these masters, German goes for a skeptical portrait, not devoid of humor, of a world from which it would be senseless to leave anything (and perhaps it was always like this), where things no longer seem important, and where present, past, fiction and reality coexist in one same plane, inextricable, while they continuously feed our uncertainty towards the future. ADC


Título original: Pod electricheskimi oblakami
Spanish title: Bajo nubes eléctricas
Year: 2015
Format: DCP
Color: Color
Minutes: 137
Seconds: 0
Country:
Team:

D, G: Aleksei German Jr.

F: Yevgueni Privin, Sergei Mijal’chuk

E: Sergei Ivanov

DA: Elena Okopnaia

S: Ivan Gusakov

M: Andrew Surotdinov

P: Sergei Antonov, Egor Olesov, Dariusz Jablonski

PE: Artem Vasilyev, Andrei Saveliev, Rushan Nasibulin

CP: Metrafilms, Linked Films


Cast:

Louis Franck, Merab Ninidze, Chulpan Khamatova, Anastasia Melnikova, Ramil Salahutdinov


Contact:

Films Boutique. Valeska Neu
T +49 30 6953 7850 E valeska@filmsboutique.com W filmsboutique.com


Thursday 23 - 14:10 h
Village Recoleta Room: 9
Tickets sold out

Aleksei German Jr. Rusia

He was born in Moscow, Russia, in 1976. He studied at the Gerasimov Intitute of Cinematography. The Last Train (2003), his first feature, was programmed by the Venice Film Festival. Later, he returned to that Festival with Paper Soldier (2008) and won the Best Director Silver Lion.



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