Ciudad Autónoma de Buenos Aires
Ciudad Autónoma de Buenos Aires

Juguetes de Cine

Wendsday 22 de 10 h a 20 h

Section: Museo BAFICI

Punto de Encuentro [17] BAFICI - Centro Cultural Recoleta - Junín 1930
Room: 10

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Sometimes we get distracted and surprised thinking that film history is, more than the history of the uses of techniques, the history of its progress. And in that confusion, the state of the world chooses to see conviction. But film history itself has always left clear that what remained in the marg...

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20 AÑos de HACIENDO CINE

Wendsday 22 de 10 h a 20 h

Section: Museo BAFICI

Punto de Encuentro [17] BAFICI - Centro Cultural Recoleta - Junín 1930
Room: 8

Free access

We thank Bafici and the Cultural Recoleta Center for the recognition implied in this exhibition, and DAC for helping us in making it real. But above all, we thank you because you forced us to dig into our archives and look our 20 year-old body of work in the face. You have helped us realize what we...

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Pelicónicas (afiches de cine)

Wendsday 22 de 10 h a 20 h

Section: Museo BAFICI

Punto de Encuentro [17] BAFICI - Centro Cultural Recoleta - Junín 1930
Room: Espacio Central

Free access

“Pelicónicas (film posters)” is a collective experience from 450 designers (teachers and students from the Salomone chair of Graphic Design at the UBA) plus one hundred texts by teachers and researchers from the Fariña, Herke and Speziale chairs at the UBA, which seeks to a...

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Monicelli y RAP. Cien años de cine

Wendsday 22 de 10 h a 20 h

Section: Museo BAFICI

Punto de Encuentro [17] BAFICI - Centro Cultural Recoleta - Junín 1930
Room: 1

Free access

Mario Monicelli turns 100 years old! And he celebrates in Buenos Aires, the city he visited only once, in 2007, before continuing his trip to Mar del Plata.When we land in the city, Mario fell in love at first sight. He fell right at home: a South American Italy that was multi-ethnic, highbrow, surp...

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La vida después

Wendsday 22 a las 12 h

Section: Panorama

Village Recoleta - Vicente López y Junín
Room: 9

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Just like the break-up album, the break-up film has become a genre in itself. How do you keep on living when your everyday loops are forever broken? In this case –in Franco Verdoia and Pablo Bardauil’s second film after their 2006 debut, the collective film Chile 672– the ending is...

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Noche de perros

Wendsday 22 a las 12:40 h

Section: Panorama

Village Recoleta - Vicente López y Junín
Room: 6

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Boys just want to have fun: the plan is to go for a ride, grab a few beers; maybe pick up some girl or getting distracted enough in order to forget other girls, the ones they have or those they want to have. All of this in the same night. Of course, things don’t go as planned. The main charact...

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A Schoolgirl’s Diary

Wendsday 22 a las 13 h

Section: North Korean Cinema

El Cultural San Martín - Paraná esquina Sarmiento
Room: 1

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The schoolgirl of the title, Su-ryeon, could be regarded as the present day embodiment of The Flower Girl. She lives a life with modest comforts amongst loving family and receives a good education. But she resents her frequently absent father, who works as a research scientist, and also resents her...

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Varieté

Wendsday 22 a las 13:10 h

Section: A Secret History of Weimar Cinema

Village Recoleta - Vicente López y Junín
Room: 10

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Circus meets jealousy in one of the biggest German box-office hits of 1925. Three lifes standing at the abyss of their feelings in this melodrama full of love, passion, hate and death wish. Here Weimar cinema is wannabe-American: The leading man Emil Jannings was the first ever to win an Academy Awa...

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L’Abri

Wendsday 22 a las 13:15 h

Sections: New Swiss Documentary Competencia DDHH

Village Recoleta - Vicente López y Junín
Room: 4

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A new frontal view of the bumps in Switzerland/Europe/the First World: the everyday life of a shelter in Lausanne that only allows fifty immigrants each night, which results in a chilling selection ritual every day. Melgar distances himself from overstressing or denouncing through the exposition of...

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National Gallery

Wendsday 22 a las 13:30 h

Section: Panorama

ArteMultiplex Belgrano - Av. Cabildo 2829
Room: 3

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There are two constants in Wiseman’s films: the world is organized by institutions –public, private, exciting, repugnant– and, at the same time, said institutions organized by groups of people congregated periodically and interminably in order to keep them afloat (it’s hard t...

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El hombre de paso piedra

Wendsday 22 a las 14:00 h

Section: Panorama

El Cultural San Martín - Paraná esquina Sarmiento
Room: 2

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If documentary is an endless genre is not just because it can take any element in the world (a person, a city, or an object) and turn it into its subject, but rather because of the endless ways it can portray and question that element. In the case of Mudmen, the eye is on an old man who lives in Rio...

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