Section: Panorama
ArteMultiplex Belgrano - Av. Cabildo 2829
Room: 1
The 130 minutes that Loznitsa gets from three months of resistance and combat as the population of Kiev take Maidan Square are fascinating. Unlike what any other documentary maker might have done, Loznitsa did not pull off the usual slapdash, urgent report as these events are so often treated, but r...
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Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 3
The day begins and the light shakes the shadows hanging from Eduardo Stupía’s studio. Miguel Baratta’s camera doesn’t show a creative genius, but a craftsman who patiently models his material. When observing the layout of a collage, Intemperie seems to adhere to the thesis t...
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Section: José Val del Omar
El Cultural San Martín - Paraná esquina Sarmiento
Room: 2
Ojalá Val del Omar is a film that seems to understand that a portrait of such a figure cannot conform itself with being a documentary or a biopic. The point of view of Val del Omar’s world –he was a poet, a mystic, and an inventor– is so unique that we can’t but questi...
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Section: Panorama
Village Recoleta - Vicente López y Junín
Room: 1
Through wonderful archival footage, including the Hockney family’s own home movies, and interviews with family, friends, and the artist himself, Wright develops an extraordinary portrait of a man who grew up among the privations of postwar Britain to embrace, in his art and in his life, the dr...
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Section: Charlas, encuentros, presentaciones y seminarios
Punto de Encuentro [17] BAFICI - Centro Cultural Recoleta - Junín 1930
Room: El Aleph
Section: A Secret History of Weimar Cinema
Village Recoleta - Vicente López y Junín
Room: 10
Circus meets jealousy in one of the biggest German box-office hits of 1925. Three lifes standing at the abyss of their feelings in this melodrama full of love, passion, hate and death wish. Here Weimar cinema is wannabe-American: The leading man Emil Jannings was the first ever to win an Academy Awa...
ViewSection: Argentine Official Competition
Village Recoleta - Vicente López y Junín
Room: 4
“Selling anticuchos wasn’t his dream, so after trying different jobs and getting fired a few times, Guido started as an assistant cutter in a textile shop.” The paragraph is located somewhere down the middle of a splendid profile of Guido Fuentes (Tarija, Bolivia, 1974) that was pu...
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Section: Pascale Ferran
Teatro San Martín - Av. Corrientes 1530
Room: L. Lugones
A Breton beach at sundown. Around a sand castle we have three characters: a kid nicknamed Jumbo and his two adult brothers, François and Zaza, who were also kids one day and went through an event similar to little Jumbo’s: the death of a loved one; a death from which they had to learn t...
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Sections: Panorama Competencia DDHH
Village Recoleta - Vicente López y Junín
Room: 9
Hotline inquires into the everyday work of an Israeli NGO that fights against two almost unbreakable forces: xenophobia and bureaucracy. Volunteers assist illegal African immigrants who arrive in Israel escaping repression and torture but end up trapped in an atrocious limbo, labeled as “infil...
ViewSection: Argentine Official Competition
Village Recoleta - Vicente López y Junín
Room: 5
When she’s awaiting the train, when she’s in her kitchen fixing up some food, Victoria Morán doesn’t seem to be any different from the rest. But when she sings the first notes of an Omara Portuondo song, we can realize that she’s something special. Victoria is a singer...
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Section: Panorama
Village Caballito - Av. Rivadavia y Av. Acoyte
Room: 7
Jafar Panahi is now cab driver for a day; on his way, he picks up friends and actors who have worked with him, but there are hardly any scheduled destinations: its situations, dialogues, different stances that drive his new challenge in order to eliminate the barriers of reality as well as the limit...
ViewSection: International Official Competition
Village Recoleta - Vicente López y Junín
Room: 8
Asked about the political dimension of his second feature (because he’s a film director born in Tel Aviv, Israel, in 1975, and that is what he must be asked about), Nadav Lapid answers: “In the film, there’s a great amount of Israelis that rub salt in the film’s wound: does a...
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