Ciudad Autónoma de Buenos Aires
Ciudad Autónoma de Buenos Aires

There is a key element that can be seen when the title of the film is presented: the line below the title, with the year and copyright, makes it seem as if it were a film from the sixties or seventies, of those that show tortuous emotional confinement like, for example, Roman Polanski’s Repulsion. If Alex Ross Perry’s fourth film is psychological cinema, it is so out of conviction and not excess, carelessness or thoughtlessness. Two friends, Catherine and Ginny (Elisabeth Moss and Katherine Waterston), meet up at the edge of a lake –at Ginny’s family’s cabin– in order to heal some wounds and mourn, especially Catherine. There’s a key element to this reunion –Catherine doesn’t immediately recognize Ginny’s voice when she talks to her from the car. A sign –things aren’t what they used to be anymore. And this friendship could deteriorate, damage itself, become dark in the face of Catherine’s gradual emotional fall and Ginny’s understanding/aggressive reactions. A psychological thriller far from any trend, shot in 16mm and with some sharp editing that introduces flashbacks as elements embedding in the main characters’ soul. JPF

Section: Competencia Vanguardia y Género
Saturday 18 - 22:15 h
Village Recoleta Room: 1
Tickets sold out

Monday 20 - 23:15 h
Village Caballito Room: 4
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Tuesday 21 - 22:30 h
Village Caballito Room: 4
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Spanish title: Reina de la Tierra
Year: 2015
Format: DCP
Color: Color
Minutes: 90
Seconds: 0


D, G: Alex Ross Perry  

F: Sean Price Williams  

E: Robert Greene

DA: Anna Bak-Kvapil  

S: Clayton Castellanos  

M: Keegan DeWittP: Joe Swanberg, Elizabeth Moss, Adam Piotrowicz, Alex Ross Perry

PE: Peter Gilber, Christos Konstantakopoulos, Eddie Linker  


Elizabeth Moss, Katherine Waterston, Patrick Fugit, Kentucker Audley, Keith Poulson


The Match Factory. Sergi Steegmann
T +49 30 4431 9050 E
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Alex Ross Perry Estados Unidos

He was born in Pennsylvania, USA, in 1984. He trained at the Tisch School of the Arts in the University of New York and worked at Kim’s Video in Manhattan. His work as a director includes Impolex, The Color Wheel and Listen Up Philip.

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