From the placing of fences in the morning to Mario Balotelli’s entry to the locker rooms at night, as well as the man who shoos the pigeons with echo bombs in the afternoon, San Siro captures the scheme of objects (wires, metals) and people (workers, cops, fans, players) that get this concrete behemoth that is San Siro up and running every time the AC Milan plays. Through some obsessive, impressive visuals and –especially– sound, Yuri Ancarani’s film proposes a journey of feverish futuristic adoration for one of the greatest soccer temples in the world. JPA
Section: PanoramaD, G, F, E: Yuri Ancarani
S: Mirco Mencacci
M: Lorenzo Senni, Wang Inc.
CP: Ancarani Studio
Ancarani Studio. Caterina Viganò
T +39 333 171 2591
E info@yuriancarani.com W yuriancarani.com
He was born in Ravena, Italy, in 1972. He has a long career in video art, and had directed the short films Il capo (2010), Piattaforma luna (2011), and Da Vinci (2012), among others.
05 May 2015
25 April 2015
25 April 2015
